Interview with the Vampire: The Vampire Chronicles

Interview with the Vampire is a vampire novel by Anne Rice written in 1973 and published in 1976. It was the first novel to feature the enigmatic vampire Lestat, and was followed by several sequels, collectively known as The Vampire Chronicles. A film version, Interview with the Vampire: The Vampire Chronicles, was released in 1994 starring Brad Pitt, Kirsten Dunst, Antonio Banderas, Christian Slater and Tom Cruise.

Interview with the Vampire: The Vampire Chronicles is a 1994 American drama and horror film directed by Neil Jordan, based on the 1976 novel Interview with the Vampire by Anne Rice. The film focuses on Lestat and Louis, beginning with Louis' transformation into a vampire by Lestat in 1791. The film chronicles their time together, and their turning of a twelve year old Creole girl, Claudia, into a vampire. The narrative is framed by a present day interview, in which Louis tells his story to a San Francisco reporter.

The film stars Tom Cruise, Brad Pitt, and Kirsten Dunst, with Antonio Banderas and Stephen Rea co-starring. The film was released in November 1994 to generally positive critical acclaim,[1] and received Oscar nominations for Best Art Direction and Best Original Score.[2] Kirsten Dunst was also nominated for a Golden Globe for Best Supporting Actress for her role in the film.

In modern-day San Francisco, reporter Daniel Molloy (Christian Slater) interviews Louis de Pointe du Lac (Brad Pitt), who claims to be a vampire and tells the story of his past.

Louis' story begins in Louisiana in 1791, when he was 24 and suffering from a death wish after the loss of his wife and infant child. The vampire Lestat (Tom Cruise) offers him a chance to be reborn and proceeds to turn him into a vampire. Lestat teaches Louis how to live as a vampire. At first, Louis rebels against hurting humans, drinking animal blood instead. He finally succumbs and kills his faithful house slave. He tries to kill himself by setting fire to his house, but Lestat rescues him and they flee.

In New Orleans, Louis is wandering the streets amidst an outbreak of plague. He finds a plague-ridden girl in a house with her dead mother. He bites the young girl, Claudia (Kirsten Dunst), whom Lestat later transforms into a vampire "daughter", to discourage Louis from leaving him. Lestat begins to teach Claudia how to live like a vampire, making her copy his actions, as to killing. As thirty years pass, Claudia becomes a sadistic killer and closely bonded to Louis and Lestat. But when she realizes that she will live forever and never grow up, she becomes furious with Lestat. She tricks him into drinking the blood of the corpses of twin boys, whom she killed by overdosing them with laudanum, with the knowledge that the blood from the body of a creature already dead is fatal to vampires. This weakens him and she then slits his throat. Claudia and Louis dump Lestat's body in a swamp but he later returns, having drained the blood of swamp creatures to survive. Lestat attacks them but Louis sets him on fire and flees to Paris with Claudia, assuming Lestat is dead.

In 1870 Paris, Louis and Claudia live in perfect harmony but Louis is still bothered by the question of how vampires came to be and if there are any other vampires on earth. One night, while walking the streets, he meets vampires Santiago (Stephen Rea) and Armand (Antonio Banderas), who tell him that there are other vampires in Paris and that he knows the answers Louis has been searching for. Armand invites Louis and Claudia to his coven, the Théâtre des Vampires, where they witness Armand and his coven dispatching a terrified human woman before an unsuspecting human audience. Armand later takes them to his lair and offers Louis a place by his side, while secretly telling Claudia to leave him. Louis refuses to leave his beloved Claudia, however, and leaves the lair. As he does, Santiago warns him that his vampire coven knows about Lestat's murder and that it is forbidden for vampires to kill another vampire. Louis returns alone to Armand's lair, where Armand proceeds to reveal that Louis is a unique vampire as he possesses a human soul and is connected to the "broken-hearted" spirit of the 19th Century. Louis becomes thoroughly smitten by Armand and resolves to leave Claudia at long last.

Returning to his residence, Louis finds that Claudia has brought home a human woman, Madeleine, with the intent that Louis turn her into a vampire to serve as a companion and protector before he leaves. Louis reluctantly gives in and transforms Madeleine, forcing Claudia to admit that they are now even and can part on good terms. Immediately after, however, the Parisian vampires burst in and abduct all three of them. As punishment for Lestat's murder, they imprison Louis in a metal coffin and lock Claudia and Madeleine into an airshaft with an open roof. The next morning, the rising sun floods the airshaft and Claudia and Madeleine turn to ash. Armand frees Louis, who searches for Claudia and is horrified and grief-stricken when he comes across her ashen remains. He returns that night to the Theatre and seeks revenge for Claudia by burning all the vampires alive in their own theatre as they sleep and bisects Santiago with a scythe. Armand arrives in time to help him escape, and once again offers him a place by his side. Louis once again refuses, knowing that Armand choreographed Claudia's demise in an attempt to get Louis all to himself, and he leaves Armand for good.

As decades pass, Louis explores the world alone, still grieving for Claudia, before returning to America. He is seen and heard telling how he saw "the sun rise for the first time in 200 years", in a movie theatre, watching Sunrise: A Song of Two Humans, Nosferatu, Gone with the Wind and Superman. He returns to New Orleans in 1988 and finds Lestat, still alive but a mere shadow of his former self. Louis unwittingly gives Lestat some insight about modern technology; Lestat asks Louis to rejoin him, but Louis rejects him and leaves.

At this point Louis concludes the interview, which Malloy, the interviewer, cannot accept. He asks Louis to transform him so he can see what it is truly like to be a vampire, but Louis throttles him in a fit of rage and vanishes. Malloy hurriedly runs to his car and drives away, feeling happy with his interview as he plays it through the cassette player. Just then, Lestat appears, attacking him and taking control of the car. Revived by Malloy's blood, he then offers a dying Malloy "the choice [he] never had" as they drive off into the San Francisco night, taking out the cassette and turning on the radio, which is playing Guns N' Roses cover of the Rolling Stones "Sympathy for the Devil".

Libera Me song, performed by The American Boychoir, a music boarding school located in Princeton, New Jersey. Taken from the Interview with the Vampire Soundtrack. The music was composed by Elliot Goldenthal, produced by Matthias Gohl, orchestrated by Robert Elhai and Elliot Goldenthal, conducted by Jonathan Sheffer, recorded and Mixed by Steve McLaughlin and Joel Iwataki, electronic Music Produced by Richard Martinez 

Loretta Yuong

Gretchen Young was born on January 6, 1913 in Salt Lake City, Utah. She was the daughter of Gladys Royal Young and John Earl Young. When she was three, her parents separated and her mother moved Gretchen and her two sisters to California and into the home of Gladys' sister. Loretta's father later moved to join them. Gladys later found him with the maid and told him to get out. His children never saw him again. The family moved to a boarding house that Gladys ran. Around that time Loretta and her cousin went to live with actress Mae Murray, whom they called "Aunt Mazi". After a year, they both returned to their mothers. When Loretta was 10, her mother married one of her boarders, George Belzer. They had daughter Georgianna two years later.

One day at the age of 14, Gretchen (Loretta) answered the phone; the caller was seeking Gretchen's sister Polly Ann for an acting role. Instead, the caller hired Gretchen. She was put under contract, had braces put on her teeth and had her name changed to Loretta Young. In 1930. at the age of only 17, Loretta eloped with her costar Grant Withers to Arizona. Less than a year later the marriage was annulled. In 1935, she was considered to be a very successful actress when she made The Call of the Wild (1935) with Clark Gable. They had an affair, and Loretta became pregnant. Because of the strict morality clauses in their contracts - and the fact that Clark Gable was married - they could not tell anybody except Loretta's mother. Loretta and her mother left for Europe where Loretta delivered a healthy baby girl on November 6, 1935, whom she named Judith. In 1940 Loretta married businessman Tom Lewis, and from then on the child was called Judy Lewis, although Tom Lewis never adopted her. Judy was brought up thinking that both parents had adopted her and did not know, until years later, that she was actually the biological daughter of Loretta and Clark Gable. Four years after her marriage to Tom Lewis, Loretta had a son, Christopher Lewis and later another son Peter Charles. Loretta continued to make movies until the early 50's when she decided to go into television. She was very popular for about eight years and then the show went off the air. In 1960 she tried a new show with a new concept, but it lasted only one season. By that time Loretta was a grandmother. Her daughter Judy Lewis had married about three years before and had a daughter in 1959, whom they named Maria.

Loretta and Tom Lewis divorced in the early 1960's. Loretta enjoyed retirement, sleeping late, visiting her son Chris and daughter-in-law Linda, and traveling. She and her friend Josephine Alicia Saenz, ex-wife of John Wayne, traveled to India and saw the Taj Mahal. In 1990, she became a great-grandmother when grand-daughter Maria, daughter of Judy Lewis, gave birth to a boy. Loretta died in 2000 of ovarian cancer.

Wanda Landowska plays Bach (1953)

Wanda Landowska performs an excerpt from Bach's Concerto No. 3 for Harpsichord, BWV 1054 at her home in Lakeville, CT. See more footage on the DVD release, LANDOWSKA: UNCOMMON VISIONARY, from VAI.

Jacob van Eijck - pavane lachrimea (Brüggen on original Terton)

                    

Frans Brüggen on the original and famous Terton soprano recorder (1967)

Jacob van Eyck (Heusden?, ca. 1590 - Utrecht, 26 maart 1657) was een Nederlands musicus en componist.

Jacob van Eyck werd waarschijnlijk in Heusden geboren als kind van adellijke ouders. Hij was al bij zijn geboorte blind. Hij ontwikkelde zich in Heusden als klokkendeskundige en beiaardier. Heusden had één klein carillon, dat zich in de toren van het stadhuis bevond.

Van Eycks kennis is van cruciale betekenis geweest voor de ontwikkeling van de beiaard. Hij heeft ontdekt hoe de toonstructuur van klokken is samengesteld en door de vorm kan worden beïnvloed. Deze kennis werd in praktijk gebracht door zijn samenwerking met de klokkengieters Pieter en François Hemony, die hij in Zutphen ontmoette. Samen goten zij de eerste goed stemmende carillons.

In 1623 reisde Van Eyck voor het eerst naar Utrecht om advies uit te brengen voor de verbetering van de beiaard in de Domtoren, en in 1625 werd hij benoemd tot beiaardier van de Dom. Later bekleedde hij dezelfde functie aan de Janskerk, de Jacobikerk en het stadhuis. In 1628 werd hij "directeur van de klokwerken" in Utrecht, en als zodanig wist hij vele verbeteringen door te voeren in het klokkenbestand in Utrecht. Hij bezocht ook andere steden om te adviseren over de verbetering van beiaards. Dankzij de inspanningen van Van Eyck kregen de Jacobikerk en de Nicolaïkerk in Utrecht een nieuwe Hemony-beiaard; de Dom volgde pas enkele jaren na Van Eycks dood.

Jacob van Eyck was in zijn vrije tijd ook een begenadigd blokfluitist. Op zomeravonden vermaakte hij de wandelaars op het Janskerkhof met zijn virtuoze fluitspel. In 1640 wordt dit voor het eerst genoemd, vanaf 1649 krijgt Van Eyck er door het Janskapittel extra voor betaald. In 1644 ging hij over tot het publiceren van zijn blokfluitcomposities. De verzameling Der Fluyten Lust-hof verscheen in twee delen (en drie etappes) tot 1649, en was opgedragen aan Constantijn Huygens, die een verre neef was van Van Eyck.

Der Fluyten Lust-hof omvat zo'n honderdvijftig composities, vooral variatiereeksen over populaire melodieën en psalmen. Daarbij gaat Van Eyck te werk volgens het proces van "breken": het omspelen van de themanoten in steeds kleinere notenwaarden (diminutie), wat een toenemende moeilijkheidsgraad tot gevolg heeft. Mede doordat hij aan eenstemmigheid gebonden was, heeft zijn stijl een overwegend ornamenteel karakter.